Gordon Hall 419
Department of American Studies
California State University, Fullerton
Fullerton, CA 92831
John Ibson, Ph. D
Professor of American Studies, emeritus
Bio / Description
Participating in the CSU Faculty Early Retirement Program, Professor Ibson now teaches in fall semesters only.
1976, Ph.D., Brandeis University
1970, M.A., Brandeis University
1966, A.B., University of California, Davis
Gender and sexuality, especially American men's history and men's relationships with each other
Visual culture, especially vernacular photography
American literature and culture
Courses Regularly Taught
AMST 502 American Prejudice in Theory and Actuality
Will the World Break Your Heart? Dimensions and Consequences of Irish-American Assimilation (New York: Garland Publishing, 1990).
Picturing Men: A Century of Male Relationships in Everyday American Photography (Washington, D.C. : Smithsonian Institution Press, 2002; Chicago: University of Chicago Press, 2006).
The Mourning After: Loss and Longing among Midcentury American Men (Chicago: University of Chicago Press, 2018).
Men without Maps: Some Gay Males of the Generation before Stonewall (Chicago: University of Chicago Press, forthcoming, fall 2019).
- Articles, Book Chapters, and Essays:
"Virgin Land or Virgin Mary? Studying the Ethnicity of White Americans,"American Quarterly, XXXIII (Bibliography Issue, 1981), 284-308, reprinted as Chapter Nine of George E. Pozzetti, editor, Ethnicity, Ethnic Identity, and Language Maintenance (New York: Garland Publishing, 1991), 160-184.
"Masculinity Under Fire: LIFE's Presentation of Camaraderie and Homoeroticism Before, During, and After the Second World War," in Erika Doss, editor, Looking at LIFE: Framing the American Century in the Pages of LIFE Magazine, 1936-1972, (Washington, D.C.: Smithsonian Institution Press, 2001). Chapter 9, 178-199.
"Antiwar Movement," "Irish-American Manhood," "James Dean," "Male Friendship," "Self-control," " 'Sensitive Male,' " "Rebel without a Cause," and "Rock Hudson," in Bret Carroll, editor, American Masculinities: A Historical Encyclopedia (Thousand Oaks, Ca.: Sage Publications, 2003).
“Gay Movement,” “Iowa,” “Minnesota,” “Thurber, James,” “Vietnam War,” in Bill Marshall, editor, France and the Americas: Culture, Politics, and History (Santa Barbara: ABC Clio, 2005).
“Seeing Males Together: Brokeback Mountain and Picturing Men,” The Chicago Blog, University of Chicago Press, March 1, 2006.
“One of the Guys: The Distraction of ‘Sexual Orientation’ and the Lost World of the American Male,” National Sexuality Resource Center (NSRC), SexLiteracy.org, February 2007, Reprinted as “Don’t Look Gay: Why American Men Are Afraid of Intimacy with Each Other,” AlterNet, July 4, 2007.
“Picturing Boys: Found Photographs and the Transformation of Boyhood in 1950s America,” THYMOS: Journal of Boyhood Studies 1:1 (Spring 2007), 68-83.
“Lessons Learned on Brokeback Mountain: Expanding the Possibilities of American Manhood,” in Jim Stacy, editor, Reading Brokeback Mountain: Essays on the Story and the Film (Jefferson, N.C.: McFarland Publishing, 2007), 188-204.
- Book Reviews:
Review of Rosemarie Garland Thompson, editor, Freakery: Cultural Spectacles of the Extraordinary Body. New York: New York University Press, 1996, in American Studies 39:3 (Fall 1998), 185-187.
Review of John W.M. Hallock, The American Byron: Homosexuality and the Fall of Fitz-Greene Halleck. Madison: University of Wisconsin Press, 2000,in Journal of American History 88:2(September 2001), 640-641.
Review of Jonathan Ned Katz, Love Stories: Sex between Men before Homosexuality. Chicago: University of Chicago Press, 2001, in Journal of American History, 90:1(June 2003), 230.
Review of David McCarthy. H. C. Westermann at War: Art and Manhood in Cold War America. Newark: University of Delaware Press. 2005, in American Historical Review111:4 (October 2006), 1217.
Review of Pierre Borhan, Man to Man: A History of Gay Photography. New York: The Vendome Press, 2007, in Archivaria: The Journal of the Association of Canadian Archivists, 68(Fall 2009), 320-323.
Review of Elizabeth Fraterrigo, Playboy and the Making of the Good Life in Modern America. New York: Oxford University Press, 2009, in Journal of American History,97:2 (September 2010), 581-582.
Review of Barry Reay, New York Hustlers: Masculinity and Sex in Modern America.Manchester, England:Manchester University Press, 2110, in American Historical Review, 117:2(April 2012), 556-557.
Review of Niobe Way, Deep Secrets: Boys' Friendships and the Crisis of Connection. Cambridge, Massachusetts: Harvard University Press, 2011, in Men and Masculinities,17:2(June 2014), 221-223.
Review of John D. Fair, Mr. America: The Tragic History of a Bodybuilding Icon. Austin: University of Texas Press, 2015, American Historical Review, 121:1(February 2016), 271-272.
Review of Philip E. Muehlenbeck, editor, Gender, Sexuality, and the Cold War: A Global Perspective. (Nashville, Vanderbilt University Press, 2017). Journal of Interdisciplinary History, 48:4 (Spring 2018), 556-558.
Other Scholarly Work
- Work in Progress:
Men by Themselves: Interpreting the Neptune Ceremony and the Womanless Wedding
An Imagined Archive? eBay Photographs and Gay History
- Papers Delivered :
"Life as Theater: Playing the Role in Irish-American Culture," Bicentennial Meeting of the American Studies Association, Philadelphia, April 3, 1976.
"Diversity as Madness: The American Irish and 'Mental Illness,' “ National Association of Interdisciplinary Ethnic Studies, Far West Regional Conference, Arcata, California, October 27, 1979.
"Comrades-in-Arms: John Horne Burns and the Awakening and Suppression of Homosexual Desire during World War II and Its Aftermath," California /Rocky Mountain American Studies Associations Meeting, Reno, May 2, 1993.
"Masculinity under Fire: LIFE's Presentation of Camaraderie and Homoeroticism before, during, and after the Second World War," Conference on "Looking at LIFE: Rethinking America's Favorite Magazine, 1936-1972," University of Colorado, Boulder, September 14-17, 1995.
"Picturing Men in World War II: Narratives of Liberation in Fiction, Autobiography, and Vernacular Photography," The Photograph: An International Interdisciplinary Conference, University of Manitoba, Winnipeg, Canada, March 13, 2004.
"The Morning After: Vernacular Photography and the Shifting Boundaries of Male Sexuality in Postwar America," North American Sexualities, Post World War II, University of Massachusetts, Amherst, April 24, 2004.
“Cold War, Cold Photographs: Male Relationships in the Everyday Photographs of 1950s America,” Vernacular Reframed: An Exploration of the Everyday, Boston University, November 5-6, 2004.
“Picturing Boys: Found Photographs and the Transformation of Boyhood in 1950s America,” American Studies Association National Conference, Washington, D.C., November 3-6, 2005.
“Snapshots at Sea: A Half Century of Shipboard Culture in American Sailors’ Photos,” Symposium on the Art of the American Snapshot, National Gallery of Art, Washington, D.C., November 10, 2007.
“The Space between Men: Same-Sex Affection in 1950s Snapshots,” “Feeling Photography” Conference, University of Toronto, October 17, 2009.
Tuesday 11:30 am-3:30 pm, and by appointment
American Studies 201
Introduction to American Studies
TuTh 10-11:15am LH 307
American Studies 401T
War and American Culture
Tuesday, 4:00-6:45 pm GH 319
For Future Students
Welcome to my web page. I've spent my entire professional career in Cal State Fullerton 's American Studies Department, beginning when I was fresh—very fresh--from graduate school in 1972. I've taught two of our general education classes, Introduction to American Studies and American Character, throughout my years here, enjoying the diverse backgrounds and aspirations typically found among students in GE courses. I enjoy teaching tremendously at every level, however--in large classes and small ones, from an introductory course to a graduate seminar.
Several characteristics of my teaching have changed over the years, but one thing's remained the same: from my first semester in the department to the present, I've told my students that I want them to have many more questions at the end of a course than they had at the beginning. I continue to be guided by a belief, nicely expressed by the great Mexican writer Carlos Fuentes, that “criticism is a form of optimism. Only silence is pessimistic.”
I began my career specializing in the topic of ethnic diversity in our society, in particular the culture of Americans with an Irish Catholic heritage. I long ago left behind that specific interest, turning my research to issues of gender and sexuality, especially meanings of masculinity in America 's past and present. Despite that shift in focus, there's been continuity in my concerns: I remain interested in cultural diversity and cultural conflict, in the various ways that Americans have negotiated their differences and occasionally have found common ground. Lately, in both my courses and my research, I've added to this longtime concern for diversity an interest in the history of the emotions, the history of the body, and visual culture, especially vernacular (or everyday) photography.
The American Studies Department was a very different, certainly a much smaller, operation when I arrived in 1972. Over those years I’ve had great experiences as the first adviser to our student association, the department chair, and the graduate program adviser. As the senior member of the department, my greatest single source of pride is the fact that I’ve had a hand in hiring every one of my outstanding full-time colleagues.
Full of unknown territory--with surprises, discoveries, and new ideas likely to be just beyond the horizon—teaching, research, and writing provide abundant opportunity for refreshment, reflection, and renewal. That's itself a refreshing thought as I near the end of my fifth decade at CSUF.